DORIC ORDER
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- The column height is between (4) and (6-1/2) diameters.
- Shaft is most often fluted with (20) shallow, vertical flutes.
- Capital consists of a square abacus & a rounded, convex echinus, below.
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No base. Instead, Greek Doric columns sit directly on a stylobate (or tiered step-like platform).
- The entablature consists of (3) sections (top to bottom): the cornice, the frieze, and the architrave. It is recognized as having minimal ornamentation.
- The frieze is recognized as having alternating triglyphs and metopes.
- The column is correlated to strength & stability.
- The column height is more slender and equal to (8) diameters.
- Shaft is usually fluted but can also be plain / smooth.
- Capital is similar to the Tuscan capital, with an occasional addition of egg-and-dart ornamentation on the echinus.
- The column's neck can have between (4) - (8) decorative rosettes.
- There are two (2) appropriate base styles - the Roman Doric & the Ionic (Attic). The Roman Doric base consists of a single torus that rests on a square plinth. The Attic base consists of (2) rings - an upper & lower torus that is separated by a scotia (concave molding). They rest on a square plinth.
- The height of the entablature is slightly reduced and - at the corner of the architrave - the triglyphs are centered over the column instead of covering the corners.
- Although less-robust than the Greek Doric column, the Roman Doric column is still correlated to strength, sturdiness, and masculinity.
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Paestum [Greek Doric] | (Campania, Italy)
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Temple of the Delians [Greek Doric] | (Delos, Greece)
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Parthenon [Greek Doric] | (Athens, Greece)
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Tempietto of San Pietro [Roman Doric] | (Montorio, Rome, Italy)
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Theatre of Marcellus / First level [Roman Doric] | (Rome, Italy)
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Palace of Charles V [Roman Doric] | (Granada, Spain)
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For doorways and entrances where only one pair of columns is needed.
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Greek Doric - for large, two-story Greek Revival balconies.
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For museums and memorials.
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Porches (linear or wrap-around).
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The lowest story of a building.
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For the interior & exterior of church buildings.
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For colonnades, walkways, and pergolas.
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As interior room dividers – instead of walls.
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For more simple-style homes / buildings where a sense of robustness is preferred.
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BIBLIOGRAPHY Brandwein, Martin. “CLASSICAL ARCHITECTURE: A HANDBOOK OF THE TRADITION FOR TODAY.” Institue of Classical Architecture & Art. Web. Oct.-Nov. 2017. Onians, John. Bearers of meaning: The Classical Orders in Antiquity, the Middle Ages, and the Renaissance. Princeton, N.J.: Princeton University Press, 1990. Stratton, Arthur. The orders of architecture, Greek, Roman and Renaissance, with selected examples of their application shown on 80 plates. London: Studio Editions, 1986. |